In 1837, the Royal Patriotic and Economic Society sent
Alexander Moreau de Jonnes to France to contract skilled artists and purchase a
high quality lithographic press. Among the artists who returned with Moreau was
the talented but little known landscape painter Pierre Toussaint Frederic
Mialhe. Together with his French colleagues, Mialhe conceived the production of
a large series of views depicting Cuban landscapes and views. Between 1840 and
1845, he issued a collection of views entitled Isla de Cuba
Pintoresca, followed by a second collection, the Viaje
Pintoresco Al Rededor de la Isla de Cuba from 1847-48 published by
Louis Marquier.

The series success was immediate. The prints were purchased
by private individuals and American and European publishers who were keen to
illustrate their stories with the views. However in 1853 Bernado May, a
Spaniard working in Cuba, sent 26 of the Mialhe views to be copied in Germany.
The German lithographs were then sent back to Cuba where they were sold in
competition with Mialhe's originals and at half the price.

Mialhe and Marquier sued May for copyright violation but due
to a legal technicality lost their case and May was allowed to continue selling
his views; promptly producing a far grander chromolithographed second version
of Mialhe's collection in 1855. Cheated and disillusioned, Mialhe left Cuba for
France shortly thereafter never to return. The first important lithographed
work of the island, it is largely through the decorative pirate editions that
Mialhe so fiercely disputed that his work is accessible today.